The catalogue
Albums that put millions to sleep.
In a good way.
Every Friday, a new piano single leaves my Sydney studio and lands on every streaming platform. No waiting for the perfect album. Just showing up, week after week — and letting the work speak.
Most artists talk about consistency. This is what it actually looks like: written, produced and shipped from my studio — every week, all year. Thirteen down. The next one's already on the way.
Session keys, synths, organ and vocals for records that need feel, not just notes. Two decades of studio credits — from ARIA-charting albums to indie debuts — delivered in the room or remotely from my Sydney studio.
Keys, vocals and musical direction for tours, TV and one-off shows. I've MD'd international acts and played arenas to 30,000 people — I bring calm, charts and a band that locks.
Score, sync and songwriting. My work has landed on a Warner Bros. blockbuster trailer seen 31 million times. Neo-classical piano to full pop productions — written to picture, brief or gut feeling.
*"What a Beautiful Name" — Best Contemporary Christian Music Performance/Song, 2018. David was one of many hands on that record, and he insists on telling you so. That's how he is about credits.
David Andrew is an Australian composer, songwriter, producer and multi-instrumentalist — and one of Sydney's most in-demand session and live musicians. His keys, vocals and musical direction have carried him from local rooms to international arenas of 30,000 people.
He's collaborated with artists and writers across Australia, the US and the UK — including work on Gang of Youths' last three projects, an era that saw them earn 8 ARIA nominations and 4 wins in a single night, including Album of the Year. As part of Hillsong Worship, he shared in a Grammy win for "What a Beautiful Name" (2018) — and he'll be the first to tell you the award says Hillsong, not David. His playing spans 812 credited recordings with 3.8 billion streams — putting him in the top 0.1% of keyboardists worldwide on Muso.ai.
Eight years training musicians at Hillsong College taught him how to make ensembles listen to each other — a skill he now brings to every session, stage and score. When he's not working on other people's records, he's shipping his own: a new single every Friday.
One email, every Friday, when the new song lands. No spam, no newsletters-about-newsletters. Just the music.